The Baffler Topic: "Of Flying Cars and the Declining Rate of Profit" by David Graeber
This is a
long, but quite (or hopefully) provoking essay by the anthropologist and activist David Graeber, published in 2012.
Read it all at Of Flying Cars and the Declining Rate of Profit
Read it all at Of Flying Cars and the Declining Rate of Profit
Here are a few excerpts:
Might the cultural sensibility that came to be referred to
as postmodernism best be seen as a prolonged meditation on all the
technological changes that never happened? The question struck me as I watched
one of the recent Star Wars movies. The movie was terrible, but I couldn’t help
but feel impressed by the quality of the special effects. Recalling the clumsy
special effects typical of fifties sci-fi films, I kept thinking how impressed
a fifties audience would have been if they’d known what we could do by now—only
to realize, “Actually, no. They wouldn’t be impressed at all, would they? They
thought we’d be doing this kind of thing by now. Not just figuring out more
sophisticated ways to simulate it.”
That last word—simulate—is key. The technologies that have
advanced since the seventies are mainly either medical technologies or
information technologies—largely, technologies of simulation. They are
technologies of what Jean Baudrillard and Umberto Eco called the “hyper-real,”
the ability to make imitations that are more realistic than originals. The
postmodern sensibility, the feeling that we had somehow broken into an
unprecedented new historical period in which we understood that there is nothing
new; that grand historical narratives of progress and liberation were
meaningless; that everything now was simulation, ironic repetition,
fragmentation, and pastiche—all this makes sense in a technological environment
in which the only breakthroughs were those that made it easier to create,
transfer, and rearrange virtual projections of things that either already
existed, or, we came to realize, never would. Surely, if we were vacationing in
geodesic domes on Mars or toting about pocket-size nuclear fusion plants or
telekinetic mind-reading devices no one would ever have been talking like this.
The postmodern moment was a desperate way to take what could otherwise only be
felt as a bitter disappointment and to dress it up as something epochal,
exciting, and new.
End of work arguments were popular in the late seventies and
early eighties as social thinkers pondered what would happen to the traditional
working-class-led popular struggle once the working class no longer existed.
(The answer: it would turn into identity politics.) Jameson thought of himself
as exploring the forms of consciousness and historical sensibilities likely to
emerge from this new age.
What happened, instead, is that the spread of information
technologies and new ways of organizing transport—the containerization of
shipping, for example—allowed those same industrial jobs to be outsourced to
East Asia, Latin America, and other countries where the availability of cheap
labor allowed manufacturers to employ much less technologically sophisticated
production-line techniques than they would have been obliged to employ at home.
From the perspective of those living in Europe, North
America, and Japan, the results did seem to be much as predicted. Smokestack
industries did disappear; jobs came to be divided between a lower stratum of
service workers and an upper stratum sitting in antiseptic bubbles playing with
computers. But below it all lay an uneasy awareness that the postwork
civilization was a giant fraud. Our carefully engineered high-tech sneakers
were not being produced by intelligent cyborgs or self-replicating molecular
nanotechnology; they were being made on the equivalent of old-fashioned Singer
sewing machines, by the daughters of Mexican and Indonesian farmers who, as the
result of WTO or NAFTA–sponsored trade deals, had been ousted from their
ancestral lands. It was a guilty awareness that lay beneath the postmodern
sensibility and its celebration of the endless play of images and surfaces.
As I’ve noted, there’s reason to believe the pace of
technological innovation in productive processes—the factories themselves—began
to slow in the fifties and sixties, but the side effects of America’s rivalry
with the Soviet Union made innovation appear to accelerate. There was the
awesome space race, alongside frenetic efforts by U.S. industrial planners to
apply existing technologies to consumer purposes, to create an optimistic sense
of burgeoning prosperity and guaranteed progress that would undercut the appeal
of working-class politics.
These moves were reactions to initiatives from the Soviet
Union. But this part of the history is difficult for Americans to remember,
because at the end of the Cold War, the popular image of the Soviet Union
switched from terrifyingly bold rival to pathetic basket case—the exemplar of a
society that could not work. Back in the fifties, in fact, many United States
planners suspected the Soviet system worked better. Certainly, they recalled
the fact that in the thirties, while the United States had been mired in depression,
the Soviet Union had maintained almost unprecedented economic growth rates of
10 percent to 12 percent a year—an achievement quickly followed by the
production of tank armies that defeated Nazi Germany, then by the launching of
Sputnik in 1957, then by the first manned spacecraft, the Vostok, in 1961.
It’s often said the Apollo moon landing was the greatest
historical achievement of Soviet communism…
For the technologies that did emerge proved most conducive
to surveillance, work discipline, and social control. Computers have opened up
certain spaces of freedom, as we’re constantly reminded, but instead of leading
to the workless utopia Abbie Hoffman imagined, they have been employed in such
a way as to produce the opposite effect. They have enabled a financialization
of capital that has driven workers desperately into debt, and, at the same
time, provided the means by which employers have created “flexible” work
regimes that have both destroyed traditional job security and increased working
hours for almost everyone. Along with the export of factory jobs, the new work
regime has routed the union movement and destroyed any possibility of effective
working-class politics.
Meanwhile, despite unprecedented investment in research on
medicine and life sciences, we await cures for cancer and the common cold, and
the most dramatic medical breakthroughs we have seen have taken the form of
drugs such as Prozac, Zoloft, or Ritalin—tailor-made to ensure that the new
work demands don’t drive us completely, dysfunctionally crazy.
With results like these, what will the epitaph for
neoliberalism look like? I think historians will conclude it was a form of
capitalism that systematically prioritized political imperatives over economic
ones. Given a choice between a course of action that would make capitalism seem
the only possible economic system, and one that would transform capitalism into
a viable, long-term economic system, neoliberalism chooses the former every
time. There is every reason to believe that destroying job security while
increasing working hours does not create a more productive (let alone more
innovative or loyal) workforce. Probably, in economic terms, the result is
negative—an impression confirmed by lower growth rates in just about all parts
of the world in the eighties and nineties.
But the neoliberal choice has been effective in
depoliticizing labor and overdetermining the future. Economically, the growth
of armies, police, and private security services amounts to dead weight. It’s
possible, in fact, that the very dead weight of the apparatus created to ensure
the ideological victory of capitalism will sink it. But it’s also easy to see
how choking off any sense of an inevitable, redemptive future that could be
different from our world is a crucial part of the neoliberal project.
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